here are few artists whose works are linked to one single colour. An identifying tone, existential and full of meaning. The force of this tonality is so great that it acts as a true symbol to understand the creator himself, way beyond his artistic career.

One of these names, that goes into the history of art for its totally identifiable chromatic fingerprint, was the experimental Yves Klein (Nice 1928-Paris 1962). This versatile artist and showman, was the inventor of a tone that had never existed before. As a ” father ” , he baptized and registered it in 1960 under his own name: International Blue Klein (IBK) . A deep tonality of blue that maintained the visual impact of its prized ultramarine blue, as well as the thicknesses and textures that Klein used to apply on his canvases.

How did this devotion for blue occur?

 In several biographies of Yves Klein, it is explained anecdotally that one summer day in 1947, the French artist was with two friends sitting on a beach in Nice in southern France. To kill time, they decided to play a game and spread the world among them. One chose the animal kingdom, another the kingdom of plants and the young Klein examined the infinite blue of the sky and chose the mineral kingdom. That contemplation changed the destiny of his life and when he addressed his friends he announced: “The blue sky is my first work of art.”

Enchanted by the cosmos and esotericism, the blue symbolized the spiritual, the mystical and the religious, and little by little, this deep tone was gaining ground with other colours present in his work such as gold or rose. It was in 1954 when he began his eclectic paintings of monochrome fields, which at the beginning were of different shades but which he eventually reduced to ultramarine blue. Klein erected around the blue colour an artistic theory that was articulated around two principles: absolute colour and emptiness, that he limited by creating what he called the “zones of immaterial pictorial sensibility.

Beyond the blue period and fire paintings, Yves Klein’s artistic career is also known for his Anthropometries, where he explored his most provocative and experimental side with paintings made by nude women that were daubed in IKB blue and turned into a continuation of the artist’s brush when they left the imprint of their bodies on stretched canvases on the wall or floor. Occasionally, he organized authentic happenings with live audiences and musicians who entertained the experimental painting sessions. What today we would call performances.

Yves Klein had a very short but intense artistic career that was especially concentrated during the last eight years of his life. He died in 1962 of a heart attack at only 34 years of age. Despite his youth, Klein defined the course of Western art and its colour, the intense International Blue Klein (IBK) has become immortal, an icon of the legacy of what is considered “the last French artist of great international impact”.

Recognition on the catwalks

Two years ago, Yves Klein’s Anthropometries were present on the catwalk in Paris with Céline. The creative director at the time, Phoebe Philo wanted to capture in two dresses of the Spring-Summer 2017 collection, the blank canvases with the silhouettes of the bodies of the women that were smeared with Klein blue paint. A recognition of this imaginative creator of contemporary art. From Gratacós, we are fascinated by the vibrant blue of the master Klein and we pay homage through some fabrics of the current collection that capture the intensity of this totally evocative blue.