moda nupcial

Mi閞coles 27 abril 2022

Gratac贸s at Barcelona Bridal Week 2022

The聽Barcelona Bridal Week 2022 has closed the calendar of catwalk shows in the Catalan capital. The international bridal fashion fair, which was held from April 20th to 24th at the Fira de Barcelona, has opted for a return to normality with face-to-face fashion shows of 34 designers aimed at professionals and future brides. It also had a large exhibition space in which 320 brands linked to the bridal and festive sector have participated.

Gratac贸s did not want to miss the opportunity to once again watch the live fashion shows of the bridal designers who use our fabrics in the preparation of the new season collections. That is why we have been attentive to each look presented because we are amazed to see once again how our fabrics are transformed into sophisticated bridal designs. Here we share with you some of the most special bridal looks of the 2023 season.

Higar Novias

The Sevillian family business Higar Novias, founded in 1980, presented the ‘Origen’ collection, based on the dialogue between sewing and architecture. The new proposal is developed based on the most emblematic patterns, merging them with pure and current lines of contemporary architecture. If we focus on detail, throughout the collection the wide variety of sophisticated, feminine and contemporary designs can be appreciated. Enriched fabrics and single-colour jacquards predominate, coexisting in harmony with silhouettes and semi-transparent bodies, adorned with feathers, on fabrics rich in beading, which combine with wide tulle skirts and small shiny details.

On the other hand, the party collection combines the versatility of urban fashion and the elegance that characterizes Higar Novias designs so much. Maxi prints and embroidery are combined with a palette of bright colours in dresses fitted at the waist that take on volume in the skirts. Also to be highlighted are the rhinestones on low-cut bodies and very feminine mermaid silhouettes, which invite you to love fashion for special occasions.

Isabel Sanchis

Isabel Sanchis new collection is inspired by the cultural diversity that characterizes her clients from all over the world, as well as her way of understanding fashion. As a result, the Valencian designer has created pieces that are based on a worked pr锚t-脿-porter, from geometric prints close to op art to sewing pieces with volumes and meticulously made handicrafts, which are part of the essence of the firm. Isabel Sanchis wanted to show the best of the brand, highlighting the craftsmanship and precision of detail. As for the colour palette of the new collection, in addition to black, always present in the Isabel Sanchis collections, a range of browns, oranges, pistachios and pinks have been introduced that bring optimism and passion for living.

Lorena Panea

Lorena Panea is an atelier and women’s brand that pays homage to the designs of Antiquity, creating exclusive and timeless bridal fashion for contemporary women. The young designer presented the ‘Anatolia’ collection on this occasion. A set of six boho-style wedding dresses, inspired by the ancient goddesses of Mesopotamia, Egypt and Asia Minor. The designs collect ethnic and nomadic influences from those caravans that travelled across the continents spreading ancestral beliefs and merging the cults of ancient deities. Each design is made up of worked fabrics such as lace, embroidered tulle and striking ornaments.

Nicol谩s Montenegro

Nicol谩s Montenegro recalls the testimony of the first interview he had with Rossy de Palma, muse and friend of the brand. Thus, ‘Savoir Fair’ is a precious and meticulous collection that is created based on the demand of clients who demand elaborate, different sewing and made with a selective sartorial pattern. The proposal is articulated through rich fabrics, such as silk tulle, Italian brocades and beading with embroidery made by hand on a frame, following Andalusian artisan techniques. Nicol谩s Montenegro’s girlfriend is undoubtedly a diva who feels unique and sure of herself.

Olga Maci脿

Olga Maci脿 she is one of the revelation designers of bridal and party fashion. The creator who trained at the Felicidad Duce Higher School of Design and Fashion (FELI) hid the winning card at a wedding fair up her sleeve: the ‘Ace of Hearts’. This is the name of the new 2023 bridal proposal and festive collection that revolves around the symbolism of love. The proposal did not lack risky transparencies, vertiginous necklines, short designs with lengths and two-piece suits that merge with party dresses in energetic colours and bright tones. The fabrics are fantasy textures, flowers, transparencies, coloured sequins and impact nets.

YolanCris

Yolancris, the Spanish brand of design and craftsmanship of party and wedding dresses from the sisters Yolanda and Cristina P茅rez, surprised once again at Bridal Week with its revolutionary designs that are born from the excellence of artisanal haute couture, accommodating every type and style of women. In diversity and in breaking with conventional bridal clich茅s, the firm finds a way to pay tribute to each woman by exalting her own personality. In the ‘Touch’ line, Yolancris extolled resilience, born during the pandemic, through anti-bride proposals that represented a new generation of brides with very particular tastes and needs. On the contrary, ‘Origins’ took up the essence of Yolancris, recovering the boho style for brides. Now, the ‘She’ collection continues with the values of Touch and Origins, but with a firm commitment that highlights the individuality and authenticity of each bride. A symphony of three styles: bohemian, anti-bride and haute couture in richer and more complex designs that adapt, better than ever, to the essence of each woman.

The new generations of bridal design

And who are the bridal designers of the future? IED Barcelona it is one of the best design quarries, a launch pad for young talents who graduate annually and await their first opportunity to enter the world of fashion. This year, the school renewed synergies with the Barcelona Bridal Fashion Week and was present at the world fair with a textile flower workshop that values sustainable design through the use of recovered haute couture fabrics. A raw material that Gratac贸s gave so that the students could recreate their designs. This event also served to celebrate a new edition of the Scolarship for Talent by Gratac贸s awards. On this occasion, the first prize went to Myriam Medina, a student on the Postgraduate Course in Wedding and Ceremony Dress Design, for the ‘Allegra’ model from the La Toscana collection, Siena. A proposal inspired by this region of central Italy that will be the star of the next showcase in May. Do not miss the opportunity to see the dress live in our space in Barcelona.

Lunes 22 marzo 2021

Bridal trends in pandemic

The bridal sector is in the process of transformation to adapt to the comings and goings imposed by the restrictions of the pandemic and the easing of lockdown phases. The coronavirus crisis has exploded directly and overwhelmingly, affecting all sectors: from restaurants, beauty centres to the textile sector. And for a year now, the world of wedding ceremonies has been stepping on the accelerator to adapt to these precipitous changes.聽

The data speaks for itself: in 2020 around 125,000 events were postponed, according to data from the Association of Wedding Professionals of Spain (A PBE). Each of these cancellations has led to losses of about 25,000 euros and a total of 2 million jobs that could not be generated. Today, it is very difficult to predict when normality will return in the bridal sector: the pandemic and its consequent economic crisis will again generate uncertainty in 2021, and it is very possible that it will disrupt the calendar for the next two years.聽

Within the textile sector, our main concern, the absence of new brides and the decrease in the number of guests at weddings, which are currently a lot more smaller and intimate, has led to a reduction in purchases of wedding dresses and also of raw materials, that is, fabrics. Reductions that have also harmed by extension wedding guest outfits and evening wear.聽

Therefore, given this process of change and adaptation to the current situation, will it modify the traditional aesthetics of the dresses, the way of buying them or the amount of money that the brides invest?

It is not easy to know where the sector will go, but from Gratac贸s we continue to offer our bridal fabrics to all brides who are committed to getting married in these difficult times. As fabric manufacturers who analyze the large firms and specialized designers, we forecast some trends in dresses for brides of 2021 and 2022.

  • The traditional bridal aesthetic loses strength

The traditional bridal aesthetic is maintained, but loses its steam. This trend is due to two factors: brides, both millennials and the first generation Z, prefer to break with the classic, daring with new silhouettes that go beyond the one-piece dress, such as the tailored jacket, whether it be either with trousers or with a tube skirt. An opportunity to blur the classic conceptions about how a bride should be dressed. On the other hand, the more intimate, private and informal celebrations influence the wardrobe with more relaxed outfits that avoid the rigid and corseted.

In terms of styles, two antagonistic trends converge: the return of minimalism with its elegant simplicity versus overloaded romanticism. The first style involves plain dresses with clean, structured and reusable lines. If the economy in 2021 and 2022 will be more austere, it is consistent that this shall be reflected in wedding dresses. This minimalist trend is also committed to simplicity and comfort through pieces that facilitate movement and can be adapted in multiple contexts. At the other extreme, the romantically inspired dresses with their volumes, overlays, lace and ruffles refuse to disappear. A type of outfit for dreamy brides who want to enjoy their wedding in a memorable tailored dress. These dresses are rich in fabrics with special attention to those that provide greater opulence: tulle, embroidery, ornamental effects, floral applications …

If it is true that, halfway to minimalism and opulence, there are endless proposals that balance the scales with dresses that merge the two trends and go out of their way for the detail that is perceived in the pleats, in the drapes, the details on the shoulders or unexpected openings. Also gaining importance are dresses with volume and wide skirts through patterns which expand at the hem to give them more prominence

In parallel, in recent years ready-to-wear collections have emerged that complement the dress with much more informal and versatile pieces. These can be custom-made or mass-produced. There is also an upward trend in vintage accessories that give a new retro to the bridal look. For autumn and winter weddings, outerwear has found a new source within instability: capes, cardigans, coats in the same fabric as the dress …, as well as various accessories that adorn the bride.

  • Focus on the detail

The detail is what matters. Regardless of the bridal style chosen, there are some trends that have taken hold in recent years. One of them has to do with the sleeves that are taking centre stage in wedding dresses. Long sleeves, puffy sleeves, tightly gathered at the elbows or cuffs, puffed sleeves, and sleeves with very pronounced shoulders are worn like blazers inspired by the 80s.

As for collars and necklines, pronounced cuts coexist with closed ones and overlays gain importance. In turn, the reign of flowers is threatened by a new detail that is gaining presence in more and more bridal designs: feathers. A resource that adds elegance, delicacy and movement to the wedding dress. Finally, something curious we want to mention that we have perceived within the Baroque style: the veil is back in fashion and everything indicates that the trend will continue and increase in the coming years.

  • Trends in fabrics

As textile manufacturers, in Gratac贸s we have a specific collection , which is renewed every year, so brides can order their own design of dress. In terms of consumer trend, we do see certain changes. Organza is one of our star fabrics if we take into account that the most popular wedding dresses are those with volumes, layers and transparencies. This organza is worked with embroidery, net lace and even 3D flowers. Crepes with rustic touches, wrinkled-effect fabrics and brocades also gain relevance. In fact, there is a growing demand for handicrafts and a return to details such as trimmings and embroidery. At the other extreme, satin fabrics are ideal for plain, lingerie-type dresses.

Come to our shop in Barcelona to discover the new collection of bridal fabrics!

Jueves 04 mayo 2017

The new bridal talents in the May shop-window

Gratac贸s leaves Barcelona Bridal Fashion Week 2017 with a summary of the winning projects of the contest ‘Gratac贸s Barcelona Scholarship for Talent’ with design school IED Barcelona. It is a prize for of preparing a wedding gown by moulage technique that is being awarded, once again, to support young students of the Postgraduate Diploma in Design of Bridal and Ceremonial Dress. For this latest award the entries of Catalina Olmedo and Valeria Antonova are already on display in the window of Gratac贸s and also in the lobby of the Hotel Majestic. The winners have also received a cash prize to the value of 鈧 500 to purchase fabrics from our store. Below we reveal more details of each showcase as well as of the designer behind it.


GRATAC脫S SHOP-WINDOW

Argentina’s Catalina Olmedo is inspired by the French film “La Belle Personne” to recreate her dress’ Inside Me’. It is a passionate drama that serves as a starting point for a design full of ambiguities: the fragile with the strong. “I wanted to express this duality via a soft fabric that is fighting to emerge from a rigid structure,” she says. For this, the designer has used simple organza and mikado. “The organza represents delicacy with respect to the mikado, which expresses hardness”, explains Catalina.

Catalina Olmedo began her career in Buenos Aires studying garment design and after working in the Argentinian company House of Matching Colors of Paula Selby Avellaneda she moved to Barcelona to specialize in bridal fashion. Now that she has completed the Postgraduate Diploma in Brical and Ceremonial Design at the school IED Barcelona, Olmedo is continuing her training at Rosa Clar谩 although she has her own aspirations. “My idea is to continue my training in these large bridal companies to be able to create my own workshop in Argentina where I can make my designs,” she explains. These creations make use of the technique of moulage to create unique products in accord with the style and personality of each bride. “I would like to be able to reflect an individual’s soul in each design,” adds Catalina.


She continues to enjoy her period of apprenticeship and Catalina thanks us for this award with sincere words. “I am grateful to the school and to Gratacos for giving me this opportunity. It has been a great challenge, ” she concludes.

Congratulations Catalina!


HOTEL MAJESTIC SHOP-WINDOW

When they called her cell phone to announce the award, Valeria Antonova could hardly believe what she was hearing. “I had not done anything in moulage before, although I put all my effort, energy and time into doing this design,” she explains, visibly excited.

The Russian designer residing in Barcelona has been inspired by one of her favorite styles: Art Deco of the early 20th century. “My design is inspired by an era which was very rich on an artistic level,” she adds. Architectural patterns, ornamental details and fabrics which interplay to create strategic volumes are the main reasons behind her winning design. “I used organza to mark the body of the silhouette and satin crepe for the bottom of the dress,” she explains excitedly.

鈥淢y goal right now is to make my own bridal fashion brand,” Valeria declares . ” And she goes straight to the point. “I already have the website, the cards and I am looking for premises and making contacts with suppliers. In this respect, of course I have Gratac贸s, “adds the young designer. Meanwhile, Valeria Antonova continues on her learning curve in the workshop of Jordi Anguera, learning the techniques of pattern-making deepening her knowledge of moulage. ” I don’t have a lot more to learn,” she concludes.

Martes 25 abril 2017

(Espa帽ol) Barcelona capital internacional de la moda nupcial

Sorry, this entry is only available in European Spanish.

Martes 14 marzo 2017

Alone with…ImmaCl茅

Inmacl茅 - Gratac贸s

ImmaCl茅 is the design alter ego of Imma Rodr铆guez Clemento, the seal of an author who has spent 25 years at the helm of the heterogeneous bridal sector. The company tells a love story via fashion expressed in delicate fabrics, a vintage feel and shades of romanticism, without becoming dull; an expression of the Mediterranean Sea for feminine, spontaneous and eclectic brides who are in tune with the dream-like universe offered by ImmaCl茅.

Why did you decide to focus your professional career on the wedding sector ?

When I was studying design and in the second year of career my sister was getting married. She did not want a classic wedding dress and asked me to design her according to her taste because she could not find anything she liked. The dress was a success. My friends began to ask for new designs and I was struck because I wasn’t selling dresses so much as dreams. It was at this time that I decided to focus on the bridal sector.

"I wasn't selling dresses so much as dreams"

So your passion was due to circumstances…

I suppose that I also inherited something. My mother worked in fashion and I had a lot of relatives who were active in the world of couture as they sewed dresses for people in high society.

Why did you decide to put your name to the brand ?

When I left college I started with the brand Imma Rodr铆guez Clemente and I already had a fixed number of customers. It was due to a comment made by one of them that she hadn’t seen the name of the brand that I decided to adjust it, but without losing the essence; from that came the name ImmaCl茅, because that was what I wanted to put across.

You’ve now had your own silver wedding at the head of the company. What does this mean for you ?

I have the satisfaction of working in something that I enjoy.

Inmacl茅 - Gratac贸s


So it’s pretty clear that if you had your time again you would still study design 鈥

Definitely. Over all these years the work dynamic has changed. Before I myself was responsible for the creative process and the production: I designed, cut the patterns, put together the garments… Now I have the support of a team and split the work in such a way that I can concentrate on the design, on trends and can look after distribution and attendance at trade-fairs…Little by little the brand is opening up to new markets so that every bride can have an 鈥淚mmaCl茅鈥.

How does one establish identity within the bridal sector ? What is the ImmaCl茅 bride like ?

The bride of today wants to feel identified with the dress she is wearing and demands versatility in the design. She doesn’t like garments which are too stiff or classical, preferring natural fabrics which allow ease of movement. My style is more Boho-chic with vintage touches and I put a lot of emphasis on details on the back.

Inmacl茅 - Gratac贸s

What will we see in the current bridal collection ?

Very many varied fabrics, such as tulle, crepe, embroidery, colourful flowers in different textures, chantilly, plenty of crochet, which I adore. In general I design timeless dresses defined by style rather than trends. That doesn’t mean that I’m turning my back on these. For example, in the collection 鈥淭anger鈥 there are sleeves with frills which are a current trend, but we adapt it to the brand identity so that they are still elegant. With regard to colour I still go for off-white and for all the nude shades.

鈥淚 design dresses defined by style rather than trends鈥

Inmacl茅 - Gratac贸s

Has the 鈥淏oudoir鈥 collection of intimate garments gone down well ?

I started it some years ago to do something different and to complement our bridal range by designing underwear for brides. It was a success at the time, but now I have decided to go back to concentrating only on dress design. For the moment I keep it as a complement in case a customer asks for it.

What is your link with Gratac贸s ?

I’ve always adored the shop, their team, their choice; in terms of quality of fabrics they are the best.

Inmacl茅 - Gratac贸s


What type of fabrics do you select from the shop to make your collections ?

Many of those that I have mentioned previously, because I regularly use them in every collection.

鈥淚n terms of quality of fabrics Gratac贸s is the best 鈥

What challenges are you giving yourself for this year ?

I don’t enjoy attending big trade-fairs to exhibit my company because I think I relate to people in more intimate surroundings. Now I am planning to look for new sales-points in places where I have direct contact with my customers. One action I like is that of fashion trucks, taking collections and garments in a caravan to destinations I have targeted, whether it be Milan, Madrid, Asturias, Burgos or Zaragoza… There are potential customers in many places.

Inmacl茅 - Gratac贸s

Gratac贸s Questionnaire

Your indispensable garment… dress
A fetish fabric…crochet
The colour you wouldn’t give up… off-white or nude shades
A designer you admire…Josep Font
An infallible style rule… Your dress needs to represent you. You don’t have to feel you are in disguise
A favourite place in Barcelona… The Born district
Advice for people starting out… It’s not an easy path to tread and you have to be persistent
Your 鈥渓eitmotif鈥…Thank you for choosing ImmaCl茅, bridal-wear with love

Inmacl茅 - Gratac贸s

Martes 15 noviembre 2016

A support for young designers in the bridal sector.

IED Barcelona - gratac贸s

We believe in the new generations who face the big challenge of maintaining the future fashion industry. At the same time at Gratac贸s we are pleased to be able to contribute our own small grain of sand in order to promote young talents. For this reason, together with the prestigious school of design IED Barcelona we have once again promoted the competition ‘Gratac贸s Barcelona Scolarship for the Talent’ in order to give our support to the future creations of Postgraduate students in Design of Bridal and Ceremonial Dresses.

This third edition saw the entry of a total of 13 students and the offerings 鈥淲hen the Sun rises! 鈥 by Valeria Antonova and 鈥淚nside Me鈥漛y Catalina Olmedo were the competition winning designs for their creativity, development and conceptualisation, according to the judgement of a panel of experts. Valeria and Catalina have been awarded a cash prize to the value of 500 鈧 which they will be able to spend on materials from our boutique in order to put together the new bridal designs.

Moreover, Valeria Antonova’s moulage will be on display in the entrance foyer of the Hotel Majestic during Barcelona Bridal Fashion Week 2017 and that of Catalina Olmedo will take pride of place in our shop-window throughout this coming April.

All within the framework of the Barcelona fashion-parade.

Our most sincere congratulations to the winners!

IED Barcelona - gratac贸s

IED Barcelona - gratac贸s

IED Barcelona - gratac贸s

Martes 26 julio 2016

One to one with鈥 Santos Costura

gratac贸s - Santos Costura

He has been in the sector for more than two decades, but he maintains the same passion as the day he begun. Santos L贸pez is the designer for Santocostura. Fom his workshop in Barcelona, he directs an artisan bridal brand with made to measure garments using quality fabrics and unique embroidery. His collections know no trends or fads and maintain a sophisticated timelessness with perfectly cut silhouettes. The Santoscostura dresses have appeared in a number of magazines and have been centre of attention on the red carpet. Nevertheless Santos L贸pez knows that being in the spotlight is one thing, but to get to the top, one must work very hard.

You define yourself as an artisan, rather than a designer.鈥

The value of our brand comes down to making artisan dresses with unique details that can only be done by working with one garment at a time. I like to preserve the traditional way of working with my hands, because handicraft is something that is coming to an end in Alta Costura.

Why?

At University, they forget to teach the most essential part of a business and I am not referring to the designer, who I do not deny is the soul, but they do not show the work of those who sew. They do not show the students how to sew and this is a skill that is disappearing. There is a general belief that it is a devalued job that does not require training, but this is not the case and the truth is we are losing workforce. When the seamstresses no longer exist, Alta Costura will disappear because this art that can not be exported to China nor India.

Despite this, we are going back to our traditional ways, or at least we are more conscientious 鈥

Here is the inconsistency. Consumers value handicraft and customisation, but we are missing artisans to carry out this type of work.

芦Consumers value handicraft but we are missing artisans禄

gratacos - Santo Costura

Did you inherit your passion for sewing?

Yes, but not in a professional way. I studied Fine Arts because there were no specific university degrees for fashion. I later did various pattern and garment making courses and I learnt by myself. I never doubted this was meant for me.

Do you have any childhood memories?

I remember when my grandmother and I sewed laces together.

What was the first thing you sewed?

A bridal dress for one of my sisters dolls. I think it was a Nancy doll.

What did you learn in your first job?

That you need to work hard. The catwalks and the attention from the media are secondary,. You concentrate on designing and producing. It takes a lot of hours and a lot of effort.

What appealed to you about the bridal sector?

When I was 12, I read a book on the history of fashion and I recall being fascinated by it, especially two pages that talked about brides. When I finally decided to launch the Brand, I wanted to do something very artisinal. In the bridal sector there is always a lot more margin for handicraft and on top of that you are offering a daydream.

芦In bridal, aswell as offering handicraft, you are offering a daydream禄

gratacos - Santos Costura

What creative process do you follow in Santos Costura?

We work in two different ways. Firstly, we decide on a leitmotif and as from there we work on the collection with previously used fabrics that we join together with other embroidery that we make ourselves. The structured way would be think of the idea, draw the design, the patterns and prototypes. Secondly, we talk to the customer and gather up her ideas and tastes and we modify the garment in the collection until it meets her expectations.

What is the Santos Costura bride looking for?

They are looking for exclusivity and something that reflects their personality. It is true that our collection has a specific style to it but we adapt to what the customer wants so that that the bride does not feel like she is wearing fancy dress. The dress has to be in line with her style.

…And more so in the bridal sector where more than dresses, it is emotions that are sold.

Exactly! That is what we sell. Our work process with the customer is always very close and even though it is my team that starts dealing with the customer, I am always present at some time. I like to meet the brides and attend to them personally. I also like to be there in the dress fitting because it is important that they feel comfortable and I check that nothing has been missed.

What are the trends for 2017?

In the last few years we have gone from vintage to boho-chic gypsy style. This has completely changed now. At least with the brides I deal with. Now we find ourselves with a much more sophisticated bride, that does not want such a big dress, that likes transparencies to insinuate but now to show, with much more elaborated details like gemstones on the dress. These brides want a long sleeved dress, a closed neck and a large opening at the back. There is also a tendency to go back to the basics with a closed plain crepe dress. In general, there is retraint in manners and a sophistication in the small details.

芦In general, there is restraint in manners and a sophistication in the small details.禄

gratacos - Santos Costura

What are you goals for next year?

The brand is growing alot and I am thinking of things that I did not contemplate when I launched the company. People ask me for dresses from all over the world and my goal is to maintain demand without missing the little details. It is true that in exterior sales points we cannot offer customisation of the dress. We are currently thinking of designing a small collection so that brides that live abroad can have a bit of scope to modify the dress.


The Gratac贸s questionnaire鈥

An essential garment…. Some stilettos

A fetiche fabric… Lace

A colour you could not live without… Black

A designer you admire… The maestro Balenciaga and Josep Font de Delpozo

An infallible style rule… Dont look like you鈥檙e wearing fancy dress, be true to yourself

Your favourite place in Barcelona… The port

A piece of advise for designers starting out… Be prepared to work hard and never lose your passion

Your vital slogan… Above all honesty

gratacos - Santos Costura